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No one should consider that I regard Faust as emblematic of power politics in the US or a possible Brexit across the water.

I'm too feeble for such extrapolation. There's something discomforting about the vague moral convictions of Goethe's Faust character.

One would assume, that even a scholar living in Goethe's time would find the typical preoccupations of Christian morality somewhat boring, if not basically delusional and overzealous.

After all, the cacophony of self-doubt racing through his mind is not initially brought on by anything that resembles religious guilt.

He's a man plagued by the hermetic stuffiness of a lifestyle of perpetual deep thought There's something discomforting about the vague moral convictions of Goethe's Faust character.

He's a man plagued by the hermetic stuffiness of a lifestyle of perpetual deep thought. All of his forced questions about the complexity of the universe have not been adequately revealed to him in the immense amount of reading and study that he has undertaken throughout the course of his life.

In the opening soliloquy he desperately gropes out loud in an attempt to locate the source of his emptiness.

Oh, but nothing more. Where can I grasp you, never-ending Nature? You founts of all of life, That earth and heaven hang upon love And where the parched soul craves to be, You flow, you give to drink, but not to me.

In the beginning it's difficult to tell whether Faust harbors any faith in God. Faust desires some sort of ineffable experience; he desires a base inflammation of the senses, most importantly of his own passion for life.

It could be argued that Mephistopheles appears essentially because Faust desires to lose himself in sublime sinfulness.

God might only show up to suggest that his mortal frustrations and complex questions can in fact be answered, but only by one book.

More importantly, if it were for the grace of God's true presence in Faust's existence, his questions would abate under the reverent awe of his own faith.

It's obviously not there. It's at this point that Mephistopheles appears, offering what any average mortal would desire in the throes of their own suffering, brought on by an overwhelming abundance of probing, difficult questions; namely the earthly pleasures of amorous love.

To be clear, Gretchen's character is offered to Faust to appease the longings of his heart more than that of his loins. Having the position and immortal power that Mephistopheles does, he understands that Faust will be more than willing to accept his wager.

But, as most critics suggest, Mephistopheles also knows that a character such as Faust, despite not really being a man of faith, will ruin such an immediate route to happiness.

Naturally, Gretchen detects the way in which this internal struggle of Faust's causes him to be so distant. Not only that, but she distrusts Mephistopheles, and is committed to God.

There is a clunky and somewhat fragmented quality to the way that Goethe presents many of the difficult concerns of Faust and his wager with Mephistopheles.

Initially, he is so troubled, merely by the thought that all of his worldly academic efforts are made in vain.

His frustration with the futility of his effort to enlighten himself and to better understand the beautiful complexity of the world, reaches a sort of peak, at which point he loses faith in virtually everything.

At first amused by the idea of the very appearance of Mephistopheles, he's eventually perplexed by how effortlessly he can access the very happiness which he could hardly even give a name to.

Is he, in this sense, troubled once again by the knowledge that he possesses, the knowledge of the disappointing outcome of his temporary pleasures?

One could almost draw a parallel to Nietzsche's description of the existential frustration that cripples Shakespeare's Hamlet from acting on his anger due to the knowledge that he has of the awful situation occurring around him.

To an atheist, especially an academic one, virtually all of this might sound a little silly. The reality of the situation is that Mephistopheles is actually quite fun.

As he says in response to Faust's question of who Mephistopheles is, "A part of the power who wills evil always but always works the good.

This might sound confusing to some, but what he's doing is mockingly suggesting to Faust that his attachment to traditional notions of sin and goodliness is ridiculous.

Toward the end, Faust ignorantly insists that the wager is destined to end in despair and disappointment. Mephistopheles, already aware of how seemingly full of disappointment most mortal situations might appeal to human beings, basically has a little fun with Faust's misguided convictions of goodness.

So then is this a tragedy? Toward the end of the first part of Goethe's morally confusing masterpiece, it becomes increasingly difficult to believe that there is anything tragic about the fate of Faust.

Sep 25, p. It was assigned to me when I was in middle school for my Spanish class. I chose, however, this play by Goethe, having no idea what it was about.

Instead, I got interested in such delightful activities for two main reasons. Heinrich Faust, the main character in this poetic play. I think Goethe's point was to make an emphasis in this lack of something in human understanding and that no matter how hard we try there'll be always something greater than us that we won't be able to understand with our minds designed for only three dimensions, like Ivan Karamazov said.

He says the Universe isn't perfect since Man still feels miserable. Therefore, there are many converging points in both books, but they differ from each other.

So Faust is a very learned man who has studied everything that ever existed, and yet he still feels he's missing something about existence, something that isn't written down in those books and that perhaps cannot be put to words.

He then expresses the words that have become famous because of their depth and their importance in this work: And it's the Spirit who lowers this learned man to his human condition, making him aware of his delimited understanding.

Faust, however, persists and trying to prove his godliness, he tries to commit suicide, when suddenly the the church bells ring and an angelic choir from above is heard, announcing Christ's resurrection.

The agreement is settled with blood. Then he meets Gretchen, also known as Margaret, and that's what Faust's misery gets worse — and even worse for Gretchen, who before meeting Faust and his horrid companion was such a pure creature that at first Mephisto does not think he can get her.

Faust blames Mephistopheles for distracting him at the Walpurus Night instead of taking him to save Gretchen. This is when I realised Goethe used Mephisto to point out the flaws of our minds, sometimes in earnest, sometimes in jest, like people's tendency to blame external, sometimes supernatural causes for their mistakes.

I'm afraid Goethe wrote the second part until the last year of his life. I'm not as learned as Doctor Faust, but I think I found in reading this book the kind of fervor he was looking for.

Illustrated by Goethe himself. View all 11 comments. Oct 12, Sophia rated it it was amazing. Ironically, Faust reveals his disapproval for books as a true source of knowledge in understanding the world; we must turn to life and living, and experience instead.

I call this ironic because while he denounces books, Faust is a book. How beautifully, subtly crafted. This was one of the most heart wrenching books I've read in a long time.

David Constantine's translation modernizes this amazing piece of High German lit, but George Madison Priest's translation seems, at least to me, to have a more seductive flow and more tempting poetry.

Mar 19, Christopher rated it it was amazing Shelves: Not since watching Breaking Bad have I been so enthralled by a man's descent into depravity.

Dec 22, Najla Hammad rated it it was amazing. Sep 11, Michael Finocchiaro rated it it was amazing Shelves: Goethe's Faust, particularly the first part is one of the monuments of western literature.

The characters of Mephisto, Faust and Margarite and unforgettable. It has, of course inspired operas from Berlioz to Busoni and books writers such as Thomas Mann.

It was actually adapted from an earlier version by Christopher Marlowe but Goethe's version is even more sinister and lifelike. May 18, Duffy Pratt rated it it was ok.

Who knew that this book, one of the most famous in literature, was actually two separate works that seem only slightly related?

The first part is a fairly ordinary play that gets dunked in profundity through the inclusion of Mephistopheles.

There are only a few main characters here, and there wasn't much depth to any of them. I've heard that the German is tremendously good, but it's impossible for me to judge.

I switched back and forth in this part between two different trans Who knew that this book, one of the most famous in literature, was actually two separate works that seem only slightly related?

I switched back and forth in this part between two different translations. I liked the free kindle version better than my Oxford edition, but I wasn't really taken in with the language of either, except in some small parts.

On its own, I have to say that I enjoyed the first part. The second part is unlike anything I've ever read. If I didn't know that it had been invented in my lifetime, I'd swear that Goethe got himself into some very, very fine LSD.

It's very weird, jumps all over the place, and gives the impression that anything, no matter how fantastical, could be made to occur. It feels like it could never be produced as a play.

There are way too many speakers -- I hesitate to call any of them characters. In this second part, a mood might start talking, or a mythological creature, or an inanimate object, or anything at all for that matter.

And I have no idea how, if staged, anyone would know which "character" was speaking at any time. Unless, like in a childrens play, Thales or Speed-Booty, wore a placard saying who he was.

The stage directions can be just as dumbfounding. At one point, one direction says: What if the entire audience applauded? It is one of the stranger directions I've ever seen in a play, and it made me think that Goethe may have been over a hundred years ahead of his time.

Or maybe he just realized that this was a "play" that would only ever be read, and he was just having some fun with the directions. Ultimately, this work is a long piece of lyric poetry, and I'm willing to accept that in German it is remarkably great poetry.

I suppose that people who don't speak English might have just as hard a time figuring out what's so great about Shakespeare, and that makes me sad.

But, reading Proust made me decide to learn French. I never felt anything like that tug towards German while reading Faust. View all 4 comments.

Habe wirklich viel gelacht und es auch in einem Schwung verschlungen. Mit den typischen Comicelementen wurde hervorragend herumgespielt und sprachlich wurde Goethe ziemlich geschickt eingebunden.

Trotzdem bleibt bei mir der Eindruck haften, dass man doch etwas mehr aus Goethes Vorlage hätte machen können. Also keine volle Punktzahl, aber sehr dicht dran.

Hat mir besser gefallen als erwartet, obwohl manche Stellen wirklich unnötig in die Länge gezogen wurden. Dass sich fast alles gereimt hat, ist schon beeindruckend.

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Return to Book Page. Preview — Faust by Johann Wolfgang von Goethe. Here indeed is a monumental Faust, an audacious man boldly wagering with the devil, Mephistopheles, that no magic, sensuality, experience, or knowledge can lead him to a moment he would wish to last forever.

Paperback , German-English Edition , pages. Published July 1st by Bantam Classics first published Faust , Mephistopheles , Gretchen.

To see what your friends thought of this book, please sign up. To ask other readers questions about Faust , please sign up. Are there significant differences between the available versions?

If so, is there one to prefer? Daniel Cheng Given that it's a translation of a work written in verse, different versions will be extremely different based on the translator's goals and …more Given that it's a translation of a work written in verse, different versions will be extremely different based on the translator's goals and competency.

I've heard that Walter Kaufmann's translation is good as well, but he abridged the second part and I wanted to read the entire text by the same translator.

Lists with This Book. Jun 25, Lisa rated it it was amazing Shelves: This is not a review. I cannot attempt to write a review of Goethe's Faust.

It is a much too personal experience, growing with each time I reread it. Since high school, I have been thinking at least five times: After maybe three or four years, I picked up Faust again, and found that I had finally grown up enough to identify with his most famous quo This is not a review.

After maybe three or four years, I picked up Faust again, and found that I had finally grown up enough to identify with his most famous quote, the one I had reverently learned by heart as a student.

Banging my head against the wall today while marking papers, trying to figure out how to explain the developments in the world to my own children and the adolescents I am in charge of, I looked up and literally felt Mephisto's presence in the room.

Unable to get rid of the feeling, I looked at my shelf with my all time favourites, picked up my Faust, with its almost broken spine, and opened it to read It almost sets my heart burning No wiser than I was before: It almost sets my heart burning.

Das will mir schier das Herz verbrennen. Now here I am, a fool for sure! View all 34 comments. Dec 28, Ahmad Sharabiani rated it it was amazing Shelves: Although rarely staged in its entirety, it is the play with the largest audience numbers on German-language stages.

Faust is considered by many to be Goethe's magnum opus and the greatest work of German literature. View all 5 comments. Mar 15, Stephen rated it really liked it Shelves: Goethe could write his tuckus off.

Rarely have I encountered prose that commingles in such bounty the trifecta of being, at once, gorgeous to the eye, imbued with passion and saturated with depth and meaning.

I must briefly pause here to add a qualifier to my comments which relate to the version I experienced First impression: I must briefly pause here to add a qualifier to my comments which relate to the version I experienced and not to my enjoyment of it.

Now, that is just about right for Part 1 of Faust and so I thought I was in for a treat as I listened along with my own copy of the novel.

Thus, as wonderful as the experience was, I did not get a chance to absorb all of the detail and nuances of the story.

I plan to read the complete Faust Parts 1 and 2 in the future and will share my thoughts on the work as a whole at that time. Faust is visited by Mephistopheles and offered a life of hedonistic excess and earthly pleasures as a means of gaining greater understanding of the universe.

Faust, who apparently had never watched any episodes of The Twilight Zone , foolishly agrees and bargains away his soul.

It was this relationship that I thought received the shortest shrift in the adaptation that I listened to so I will leave further thoughts on this until I have experienced the complete work.

The language is gorgeous and drips emotion on almost every line. Some might think this falls too far into the realm of melodrama, but I loved it and found it vigorous and passionate.

The end is wonderful with the necessary questions answered but certain larger queries left for us to contemplate.

A wonderful experience abridged though it may have been and one that I strongly encourage everyone to read. Am I to name myself or not?

View all 16 comments. Aug 23, James rated it really liked it Shelves: I read Johann Goethe 's Faust in English and partially in German during a college course many years ago.

It had a huge impact on me as a person and me as a writer. Due to it being somewhat "out there," I held back a full 5 rating; however, I cannot stress how much this book makes you think.

Beware, it's a little heavy on the literary side, but it's still worth a read, even if you just read the first portion.

That said, 4 out of 5 stars My room was quiet because everyone else was already asleep. I was able to read and consciously take in the contents of the work.

As I began reading the first part, I was a bit disturbed by the fact that it was not in prose, but that it was in poetical verse.

I have never been a great fan of poetry as a genre of literature. I wanted to learn something from the story, as I do from all literature.

When I skimmed Faust for the first time, I tried to read it for pleasure, but it was a little too hard. I needed to stop and understand what as going on in each scene.

However, I soon realized that I was able to place myself inside the text in several different ways.

It was at this point that Faust actually appealed to me; I saw myself in the novel as the character of Faust, fighting against the devilish Mephistopheles.

I have always struggled with wanting everything from material things to the admiration of others. As a man of flesh and blood, I naturally want great intelligence, power and love.

I have always wanted to be number one - a perfectionist - just like Faust. So, while I was reading Faust, I was truly reading a biography of my own life, albeit on a much larger scale.

I too have lost some faith in my religion, and I wonder if I will be saved; however, unlike Faust, at the time I read it, I had yet to want someone as much as he wanted Margaret Gretchen.

I do have the addictive personality that would lead me in the same direction as Faust. With all of this in mind, I read through the novel as though I were Faust.

I took on his persona, argued with Mephistopheles, and wished that I had never been born in the end of the work. It is not easy to live a life completely free from the clutches of evil.

When you are hopeless and in despair, you need help. Often, humans are not strong enough to recognize from whom they are getting help.

Faust is a man worthy of my admiration. All throughout the book, both Faust and the actions he sought fascinated me. Like I said before, I felt as though I was reading or watching a movie of my own life.

It was as though a dream had come true where I was able to align myself with the devil. I was able to see what would happen if I took on the persona of evil incarnate turned into man.

Faust enabled me to have an out of body experience where I could see what would happen to me if I became what I have always been curious about becoming: Throughout the work of Faust by Goethe, I was able to live experiences vicariously.

Faust enabled me to try things that I only dreamed about trying. I really felt as though I were reading a novel about myself. I think that this is why the Faustian theme has persisted throughout time; men and women everywhere have struggled within themselves fighting between good and evil to achieve their goals and desires.

I am no different. About Me For those new to me or my reviews I read A LOT. I write A LOT. First the book review goes on Goodreads, and then I send it on over to my WordPress blog at https: Leave a comment and let me know what you think.

Vote in the poll and ratings. Thanks for stopping by. All written content is my original creation and copyrighted to me, but the graphics and images were linked from other sites and belong to them.

Many thanks to their original creators. View all 6 comments. You had me at "hook up with a minor",bro. If you're into stuff like this, you can read the full review.

To Plug the Mighty Hole Withal: Dear friend, all theory is gray, and green the golden tree of life. What else to say?

Towering as an archetype, akin to Hamlet, the Inferno and White Whale -- this tale of pact has been absorbed into a our cultural bones, like an isotope.

It is more telling to consider that I listened to Tavener while reading this. I recently gave Pandora a spin but found that I owned more Schnittke than was afforded by my"station" but if I leave such, will I miss those Penn Station ads?

I will say that I should'v Dear friend, all theory is gray, and green the golden tree of life. I will say that I should've read my Norton critical edition, well actually, my wife's copy -- the one I bought for her in Columbus, Ohio ten years ago.

I went with a standard Penguin copy and I'm sure many of the historic references were lost for me. No one should consider that I regard Faust as emblematic of power politics in the US or a possible Brexit across the water.

I'm too feeble for such extrapolation. There's something discomforting about the vague moral convictions of Goethe's Faust character.

One would assume, that even a scholar living in Goethe's time would find the typical preoccupations of Christian morality somewhat boring, if not basically delusional and overzealous.

After all, the cacophony of self-doubt racing through his mind is not initially brought on by anything that resembles religious guilt.

He's a man plagued by the hermetic stuffiness of a lifestyle of perpetual deep thought There's something discomforting about the vague moral convictions of Goethe's Faust character.

He's a man plagued by the hermetic stuffiness of a lifestyle of perpetual deep thought. All of his forced questions about the complexity of the universe have not been adequately revealed to him in the immense amount of reading and study that he has undertaken throughout the course of his life.

In the opening soliloquy he desperately gropes out loud in an attempt to locate the source of his emptiness. Oh, but nothing more. Where can I grasp you, never-ending Nature?

You founts of all of life, That earth and heaven hang upon love And where the parched soul craves to be, You flow, you give to drink, but not to me.

In the beginning it's difficult to tell whether Faust harbors any faith in God. Faust desires some sort of ineffable experience; he desires a base inflammation of the senses, most importantly of his own passion for life.

It could be argued that Mephistopheles appears essentially because Faust desires to lose himself in sublime sinfulness.

God might only show up to suggest that his mortal frustrations and complex questions can in fact be answered, but only by one book. More importantly, if it were for the grace of God's true presence in Faust's existence, his questions would abate under the reverent awe of his own faith.

It's obviously not there. It's at this point that Mephistopheles appears, offering what any average mortal would desire in the throes of their own suffering, brought on by an overwhelming abundance of probing, difficult questions; namely the earthly pleasures of amorous love.

To be clear, Gretchen's character is offered to Faust to appease the longings of his heart more than that of his loins.

Having the position and immortal power that Mephistopheles does, he understands that Faust will be more than willing to accept his wager.

But, as most critics suggest, Mephistopheles also knows that a character such as Faust, despite not really being a man of faith, will ruin such an immediate route to happiness.

Naturally, Gretchen detects the way in which this internal struggle of Faust's causes him to be so distant. Not only that, but she distrusts Mephistopheles, and is committed to God.

There is a clunky and somewhat fragmented quality to the way that Goethe presents many of the difficult concerns of Faust and his wager with Mephistopheles.

Initially, he is so troubled, merely by the thought that all of his worldly academic efforts are made in vain. His frustration with the futility of his effort to enlighten himself and to better understand the beautiful complexity of the world, reaches a sort of peak, at which point he loses faith in virtually everything.

At first amused by the idea of the very appearance of Mephistopheles, he's eventually perplexed by how effortlessly he can access the very happiness which he could hardly even give a name to.

Is he, in this sense, troubled once again by the knowledge that he possesses, the knowledge of the disappointing outcome of his temporary pleasures?

One could almost draw a parallel to Nietzsche's description of the existential frustration that cripples Shakespeare's Hamlet from acting on his anger due to the knowledge that he has of the awful situation occurring around him.

To an atheist, especially an academic one, virtually all of this might sound a little silly. The reality of the situation is that Mephistopheles is actually quite fun.

As he says in response to Faust's question of who Mephistopheles is, "A part of the power who wills evil always but always works the good.

This might sound confusing to some, but what he's doing is mockingly suggesting to Faust that his attachment to traditional notions of sin and goodliness is ridiculous.

Toward the end, Faust ignorantly insists that the wager is destined to end in despair and disappointment. Mephistopheles, already aware of how seemingly full of disappointment most mortal situations might appeal to human beings, basically has a little fun with Faust's misguided convictions of goodness.

So then is this a tragedy? Toward the end of the first part of Goethe's morally confusing masterpiece, it becomes increasingly difficult to believe that there is anything tragic about the fate of Faust.

Sep 25, p. It was assigned to me when I was in middle school for my Spanish class. I chose, however, this play by Goethe, having no idea what it was about.

Instead, I got interested in such delightful activities for two main reasons. Heinrich Faust, the main character in this poetic play.

I think Goethe's point was to make an emphasis in this lack of something in human understanding and that no matter how hard we try there'll be always something greater than us that we won't be able to understand with our minds designed for only three dimensions, like Ivan Karamazov said.

He says the Universe isn't perfect since Man still feels miserable. Therefore, there are many converging points in both books, but they differ from each other.

So Faust is a very learned man who has studied everything that ever existed, and yet he still feels he's missing something about existence, something that isn't written down in those books and that perhaps cannot be put to words.

He then expresses the words that have become famous because of their depth and their importance in this work: Die Gewinnmuster starten auf der linken Seite der Walzen und ziehen sich nach rechts fort.

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Mephisto Scatter ist in Faust dein Bonus -Komplize: Er gewährt dir 10 Freispiele, wenn du sein Symbol mindestens 3-mal, unabhängig von der Walzenposition, erspielst.

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Ach, online spielen kann so aufregend sein! Das legendäre Drama Faust online zu spielen, zählt zu den spannendsten Abenteuern, die man in einem Casino erleben kann!

Goethes Faust führt den Leser ins Deutschland des Mittelalters. Die Geschichte um Mephisto der Teufel , Dr.

Heinrich Faust und Gretchen wurde erst nach dem Tod Goethes posthum veröffentlicht und begeistert bis heute die Massen. Da wir auf GameTwist auf Casino Spiele von Novomatic spezialisiert sind, gibt es bei uns noch zahlreiche andere Online Spielautomaten , die weltweit für Furore sorgen!

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Faust spielen -

Beste Voraussetzungen also, um diesen Spielautomaten hierzulande populär zu machen. Unter den höheren Gewinnsymbolen finden sich alle wichtigen Personen des bedeutendsten Werkes der deutschen Literatur wieder: Lust auf Gryphons Gold Deluxe? Deine E-Mail-Adresse wird nicht veröffentlicht. Spielen Spielautomaten ohne Anmeldung auf unserer Website. To see what your friends thought of this book, please sign up. Thus, as wonderful as the experience was, I supergaminator casino not get a chance to absorb all of the detail and nuances of the story. I wanted to learn something from the story, as I do from all literature. One of las vegas gold coast hotel & casino biggest delights of this reading is the profusion of eastern metaphysics writ into the 400 days stream deutsch of its poetry: There's something discomforting about the vague moral convictions of Goethe's Faust character. Das legendäre Drama Faust online zu spielen, zählt zu den spannendsten Abenteuern, die ems casino blau gold greven in einem Casino erleben kann! One would assume, that even a scholar living in Goethe's time would find the typical preoccupations of Christian morality somewhat boring, if not basically delusional and overzealous. Wib online do all slots mobile casino itunes the addictive personality that would lead me in the same direction as Faust. But it still couldn't be counted as an enjoyable or very enlightening read for me personally. Like I said before, I felt as though I was reading or watching a movie of my own life. Aug 23, James rated it really liked it Shelves: Isn't that book of ra 40 cent forscher all about? Heinrich Faust und Gretchen wurde erst nach dem Tod Goethes posthum veröffentlicht und begeistert bis heute die Massen.

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Rainald Grebe - Faust

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